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Soundhack telharmonic4/16/2023 ![]() Some other modular companies are working on similar logic-based devices to achieve sensible voltage control over polyphonic instrumentation, including the incredibleand soon-to-be-released Tonnetz Sequent from Noise Engineering. But it requires 3 separate oscillators to achieve what the Telharmonic claims to do in only one module, and Pressure Points doesn’t have any voltage controlled harmonic shifting. Of course, Make Noise already makes a device that is perfect for creating triads, the Pressure Points. This Voltage Controlled Music Theory guides the Algorithms in a unified way, whereas CENTROID, FLUX and H-LOCK sculpt the timbre of each Algorithm uniquely, allowing for complex sounds to be created around a unified melodic structure and pattern. TONIC, INTERVAL, DEGREE and D-GATE, allow for patch-programming of complex chord progressions, scales, melodies and playing styles. The tELHARMONIC’s roots go back further than the advent of electronic music, as it also takes a new approach to handling music theory in the modular context. Erbe is responsible for some of the most ubiquitous Make Noise modules, including the Echophon and the appropriately named Erbe-Verb. ![]() Erbe is the original developer of the soundhack software, a legendary application that first appeared on Mac OS 9, which provided an offline avenue to complete sample mangling and destruction. Bringing a fresh approach to music theory into the rack, the Telharmonic does much more than 3 note voltage controlled polyphony.Īs with a number of popular Make Noise modules, this device was designed by the one and only Tom Erbe. As with anything Make Noise develops, the module is already a hit among the early adopter crowd. This weekend, I was lucky enough to get to see the new Telharmonic module from Make Noise in action at Analogue Haven in Santa Monica.
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